Bach transcribed for the guitar

Here, Australian guitarist Stephanie Jones plays the last movement of the BWV 1001 violin sonata by Johann Sebastian Bach (1685-1750). She is playing a  19th Century J.A Stauffer copy built by Jan Tuláček. The guitar is well suited to Bach music and the performer does a great job of making violin music work for the classical guitar.

El testament D’amelia

Arranged by Miguel Llobet (1878–1938), from Canciones populares Catalanas.

Miguel Llobet Solés (18 October 1878 – 22 February 1938) was born in Barcelona, Spain and was a renowned virtuoso. He made arrangements of Catalan folk songs for the solo guitar, as well as arrangements for the guitar of the piano compositions of Isaac Albéniz.

Performed by David Russell

HERE is the music for this Intermediate/Advanced piece:

And HERE is a lesson by Bradford Werner on how to play it

 

 

Jan Depreter plays Capricho Catalán by Isaac Albéniz

Born in 1975 (Belgium), Jan Depreter is considered as one of the most remarkable guitar players of our time. Discovering music at the age of 5, he had to wait 3 more years for Santa Claus to introduce him to his first guitar; an encounter which would result in a lifelong passion for the instrument. Three times Jan graduated Summa Cum Laude for guitar, from the Lemmens Instituut of Leuven and the Royal Conservatories of Antwerp (BE) and The Hague (NL), where he studied with Zoran Dukic. He perfected his art with David Russell and Manuel Barrueco. (Taken from his website http://jandepreter.com)

Excellent article by Marcelo Kayath

I came across this article in the March 11th GSI Blog and I think it is worth sharing on Classical Guitar SA. The article is titled GUITAR – A SMALL ORCHESTRA OR A GRAND PIANO? and in it, Marcelo traces the development of classical guitar music from the end of the 18th century up to the present time. Click HERE for the article

And here is an example of Marcelo performing pieces from the Suite in F Major SW 33 by Sylvius Leopold Weiss where he demonstrates a number of the points he makes in his article.

 

Chôro No. 1 – Heitor Villa-Lobos played by David Russell

Villa-Lobos is one of the most important composers for classical guitar. His music combines Brazilian folk music with contemporary classical. Chôro No. 1, one of his most famous pieces, is a beautiful merging these two styles.

David Russell is one of the great players of the present age.

Millennial classical guitarists

 

In this, the 3rd and final post in the series, I am featuring 10 incredible players 35 years old or younger I have ordered them from youngest to oldest to maximise the impact. What wonderful talent in such young people!

 

Linda Bernert (10) plays Tango en skaï by Roland Dyens

 

Nina Bernert (12 now 14) plays Phantasia D major by David Kellner

 

Leonora Spangenberger (13 now 15 years old) plays 12 Etudes by Heitor Villa Lobos: Etude No 1

 

Julia Lange (19) plays Asturias by Isaac Albeniz

 

Stephanie Jones (24 years old) plays Recuerdos de la Alhambra by F. Tárrega

 

Anna Likhacheva (25 years old)  plays Russian folk song “Ivushka”

 

Gabriel Bianco (29 years old) plays Variations on Venice Carnival

 

Su Meng (30 years old) plays Bach Prelude, Allegro – Presto

 

Kyuhee Park (33 years old)  plays El Ultimo Tremelo by Augustin Barrios Mangore

 

Milos Karadaglic (35 years old)  plays’Oriental’ by Enrique Granados

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10 top Generation-X classical guitarists

As promised, here is a list of 10 top Generation-X classical guitarists aged between 40 and 55.

I have avoided using the word ‘best’ when referring to this list because of how different folk understand this ascription. Some comments to previous posts are; “there is no ‘best’, just opinions”, and “the best players are those who embrace the ‘new’ compositions”, and “No way! Eliot Fisk is the best because of his innovation and energy”. I guess we could have a shot at determining who the best players are by adopting a comprehensive set of criteria and an impartial assessment methodology, but what’s the point? Certainly, my reason for compiling these lists is to provide reference points, learning opportunities, and listening pleasure.

In the 3rd and final post in this series, I intend to feature another 10 fabulous players 35 years old and under.

Xuefei Yang (41 years old)

http://www.xuefeiyang.com

Manhã de Carnaval by Luiz Bonfá

 

Graham Anthony Devine (47 years old)

www.grahamanthonydevine.com/

Gnossienne No. 1 by Erik Satie

 

Galina Vale (38 years old)

www.galinavale.com/

https://www.youtube.com/watch?v=Gj4jve_D4n0

Embedding disabled on youtube – click on above link to access the video.

Russian gypsy song “Otchi chornie”

 

Gorge Caballero (41 years old)

https://www.jorgecaballeroguitar.com/

Capriccio Espagnol by Rimsky Korsakov

 

Paul Galbraith (54 years old)

www.paul-galbraith.com/

Bajo La Palmera by Albeniz

 

Margarita Escarpa (53 years old)

http://www.volterraguitar.org/bio-margarita-escarpa.html

F. TÁRREGA (1852-1909): “Endecha”, “Oremus”, “Capricho Árabe”

 

Paulo Martelli (52 years old)

https://www.facebook.com/martelliguitar/

Remembrance by Sergio Assad

 

Matthew McAllister (? Years old)

www.matthewmcallister.com/

Scottish Lute Pieces

 

Amanda Cook (? Years old)

www.amandacook.co.uk/wordpress/

Zalopojka from Balkan Miniatures by Bogdanović

 

Craig Ogden (? Years old)

www.craigogden.com/

Prelude to Lute Suite no.4 BWV.1006a by Bach

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‘Best’ living classical guitarist

My last post featured John Williams, and although many commented favourably, there were one or two critical of John’s virtuosity. When I searched the threads in the Delcamp forum,  I soon realised that there are as many opinions on the ‘best’ living classical guitarist as there are on what constitutes ‘best’.

The criteria for judging ‘best’ appear to fall into four categories: musicality, technique, tone production, and emotional impact. However, what interested me more was the sheer number of CG players listed among the top three picks… 38 in total!

So, I have compiled a list of just the top 10 candidates. I have done this as a basis for further research, learning, and listening pleasure. I have arranged the list based on the number of different people identifying them as part of the top three living players. Of course, the list is not meant as any sort of definitive ranking, but rather as an inspiration for run-of-the-mill classical guitarists like me. Along with each name are links to their websites and a video of them playing.

Of the 10 maestros listed, seven are over 60 years of age, and so the fear for many is that the era of classical guitar greats is passing. Not so! In my next post, I intend to highlight 10 great players between 40 and 55 years old. Then in a 3rd post I intend to feature another 10 fabulous players 35 years old and under. The future of the classical guitar looks bright to me!

1.  Julian Bream (84 years old)

http://www.julianbreamguitar.com/

Grand Solo by Fernando Sor

2.  David Russell (64 years old)

http://www.davidrussellguitar.com/

Choro No 1 by Villa-Lobos

3.  John Williams (76 years old)

http://www.johnwilliamsguitarnotes.com/

Sevilla by Albeniz

4.  Ana Vidovic (37 years old)

http://www.anavidovic.com/

La Catedral by Barrios Mangore

5.  Marcin Dylla (41 years old)

http://www.marcindylla.com/

la Alborada by Francisco Tárrega

6.  Jason Vieaux (44 years old)

https://www.jasonvieaux.com/

Bach: Lute Suite No. 3 in E minor, BWV 996

7.  Manuel Barrueco (65 years old)

http://www.barrueco.com/

Variations on a Theme of Mozart

8. Pepe Romero (74 years old)

https://peperomero.com/

Pepe Romero plays Zapateado & Fantasia from ‘Suite Andalucia’ by Celedonio Romero

9. Christopher Parkening (70 years old)

http://parkening.com/

Christopher Parkening plays Koyunbaba at Harvest Crusade

10. Sharon Isbin (61 years old)

http://www.sharonisbin.com/

Sharon Isbin plays Waltz by Agustin Barrios Mangore

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