21st century pieces – musical or what?

The fact that I do not really know what to call this article speaks to my confusion regarding 21st music for the classical guitar. Some call the subject of my wondering modern, others contemporary, and yet others 21st century. The only way I can explain myself is to give some examples.

Manuel Ponce wrote Sonata III, Carlos Seixas composed Sonata No 23, and Antonio Lauro gave us Vals Venezolano No 3, and I can appreciate the musicality in all three. They are not what I would choose to listen to often and I do not have the technical skills to play them, but I can relate to them at some levels. However, Joao Luiz’s Xie and Toru Takemitzu’s Equinox just confuse, Jar, and leave me feeling as though I have endured rather than enjoyed.

Here is an example of the kind of 21st classical guitar music that I just don’t ‘get’ – have a listen:

Steven H. Somers plays his own composition, ‘21st Century Suite’.

Now I don’t know much about Steven Somers and his music might not properly represent the genre, so I have selected an example from the work of the great Leo Brouwer. Here is his Sonata V – Ars Combinatoria I – vivace played by Andrey Lebedev

My confusion deepens when I compare this to his Un Dia de Noviembre, which I like a lot and am currently learning to play.

Here it is played by Tatyana Ryzhkova.

Leo Brouwer composed prolifically and has a huge international reputation, so what’s with his Sonata V, and other works like Sonata Fandangos y Boleros and Sonata del Pescador? My confusion deepens.

From what I can tell, the pieces I have problems with are technically challenging and encompass a range of ornamentations, stretches, speed bursts and so on, but they seem disjointed, lacking in any discernible rhythm, over-filled with discords, and generally unpleasing to the ear. What am I missing? Ok, so I am a 70-year-old intermediate level guitarist without any formal music school education, but isn’t music supposed to be pleasing to the ear, evocative, and … well perhaps here is my problem, my definition of ‘music’.

As a younger man, I had the same sort of problem with much modern art. Critics raved about what appeared to me to be a slapdash mess of forms and colours, but my impression was that a 6-year-old child could have done as well. I can’t say the same for the kind of classical guitar music that befuddles me because I can see that they would be extremely hard to play. I can understand, therefore, why some performers would use such pieces to display their skills, but do they enjoy playing them, and do people enjoy listening to them?

I am hoping that someone will explain to me the value of such music because even in my old age I am keen to learn. I have searched the internet for some credible critique but have so far found nothing that makes sense to me. Perhaps I am missing something that will change the way I process music or perhaps much 21st Century classical guitar music is just a big con… like much that passes for art, wisdom, and value these days.

 

Un dia de Novembre by Leo Brouwer

I have placed this haunting little piece at Grade 4 (Lower Exit) in my system, and Guitaburst have assigned it to Level 8 . It is an advanced beginner or entrance intermediate piece. Here it is played by Tatyana Ryzhkova