Moving from one position to another, especially up the keyboard, is problematic for most average guitarists. In these three videos, Allan Mathews covers the most tricky aspects of shifting position on the classical guitar.
Earlier in the year, I imported four fine classical guitars from Aiersi Guitars in China, hoping to set up a small speciality online retail outlet in South Africa. Unfortunately, CITES has now severely restricted the import of all Rosewood products and so I have had to abandon the resale venture.
I am now making the four guitars available at cost, which provides a great value opportunity for any musician or investor. Just click on www.guitarsa.co.za/guitars for full details, pictures and Rand values.
The guitar featured in this performance was made by Greek luthier Yorgos Kertsopoulos. He describes the instrument as “designed and constructed by me in 1996 and it is a multi-timbre rectangular guitar with movable back pedal. As the guitarist plays, by pressing slightly the guitar’s back to her/his chest, pedal effects on the sound are produced”
I have taken this video from my favourite classical guitar teaching site, Bradford Werner’s Thisisclassicalguitar.
This what Bradford writes concerning this performance:
Lorenzo Bernardi Plays Confesiòn by Paraguayan guitarist and composer, Agustín Barrios Mangoré (1885–1944). This comes via Bernardi’s Youtube Channel. Guitar made by Philip Woodfield. Some nice musical playing by this young Italian guitarist. “Also known as Confesión de Amor (Confession of Love), Confesión is an example of the genre known as romanza, a slow, melodic piece in duple metre expressive of romantic feeling. Barrios wrote this work in 1923 and recorded it on 21st June, 1928. Here he places the melody in the bass register with the harmonic accompaniment in the upper voices. A profound knowledge of the instrument is necessary to achieve this type of textural writing, and Confesión, together with his Romanza en Imitación al Violoncello, is a masterful display of virtuosity and skill.
I have posted Barrios’ Confesion before but I particularly like this interpretation.
Matthew McAllister plays with his usual competence and style – you can view his website HERE. The piece, Bardenklänge, Op. 13, No. 1, is by J.K.Mertz, a 19th century virtuoso and composer. He was married to a concert pianist and his compositions reflect her influence on his music.
Joaquin Rodrigo was born in Sagunto, Valencia, and lost his sight at the age of three. Despite this, he began to study piano and violin at the age of eight. Many credit him with raising the Spanish guitar to dignity as a universal concert instrument and he is best known for his guitar music. However, he never mastered the instrument himself.
Drew Henderson is a virtuoso classical guitarist often cited as one Canada’s best young classical guitarists. Here he plays the final movement of Tres Piezas Españolas by Joaquin Rodrigo (1901-1999)
Augustine Barrios composed many wonderfully lyrical pieces for the classical guitar. I have already featured La Catedral and Alms for the love of God, and here now is his Confession played by Tariq Harb. Tariq was the winner of both the First Prize and the Audience Choice Award in the Barrios WorldWideWeb Competition, so he is a good choice of performer.
Here South Korean brother and sister (Soojin and Seongjun Lee) play Asturias (Leyenda) Op. 47 by Isaac Albéniz (1860-1909). This well-known classical guitar piece, although usually played as a solo performance, was originally written for piano, so a duo arrangement probably comes closer to the composer’s original intent.
Matteo Carcassi (1792 – 1853) was a guitar virtuoso and composer who lived most of his adult life in Paris. His most famous works are collected in his 25 Etudes op.60 where he blended technical skills with good ‘romantic’ music.