Matthew McAllister plays with his usual competence and style – you can view his website HERE. The piece, Bardenklänge, Op. 13, No. 1, is by J.K.Mertz, a 19th century virtuoso and composer. He was married to a concert pianist and his compositions reflect her influence on his music.
Joaquin Rodrigo was born in Sagunto, Valencia, and lost his sight at the age of three. Despite this, he began to study piano and violin at the age of eight. Many credit him with raising the Spanish guitar to dignity as a universal concert instrument and he is best known for his guitar music. However, he never mastered the instrument himself.
Drew Henderson is a virtuoso classical guitarist often cited as one Canada’s best young classical guitarists. Here he plays the final movement of Tres Piezas Españolas by Joaquin Rodrigo (1901-1999)
Augustine Barrios composed many wonderfully lyrical pieces for the classical guitar. I have already featured La Catedral and Alms for the love of God, and here now is his Confession played by Tariq Harb. Tariq was the winner of both the First Prize and the Audience Choice Award in the Barrios WorldWideWeb Competition, so he is a good choice of performer.
Here South Korean brother and sister (Soojin and Seongjun Lee) play Asturias (Leyenda) Op. 47 by Isaac Albéniz (1860-1909). This well-known classical guitar piece, although usually played as a solo performance, was originally written for piano, so a duo arrangement probably comes closer to the composer’s original intent.
I have added a subsection ‘Additional material for Level 1B’ at the end of Basic Level Players/Musical Scores/Level 1B. The first entry in this subsection is Prelude in A Min from Matteo Carcassi’s Guitar Method Vol 1 (Op 59).
Matteo Carcassi (1792 – 1853) was a guitar virtuoso and composer who lived most of his adult life in Paris. His most famous works are collected in his 25 Etudes op.60 where he blended technical skills with good ‘romantic’ music.
Ana Vidovic plays La Catedral by Augustine Barrios, one of the hardest classical guitar pieces to play.
Ana is of Croatian origin and started playing the classical guitar at five years of age. She started performing at the age of eight and is now 37 years of age (as at 2017) and is an internationally recognised performing and recording artist. She plays classical guitars designed and built by the Australian luthier Jim Redgate.
I have featured another piece written by Barrios in my previous post.
David Russell performs “Una Limosna por el Amor de Dios” (Alms for the love of God). The last piece by Paraguayan classical guitarist and composer, Agustín Pío Barrios a Paraguayan virtuoso and composer, regarded as one of the greatest performers and most prolific composers for the classical guitar. His music remained undiscovered for over three decades after his death.
Heitor Villa-Lobos was a Brazilian composer of more than 2,000 works. He dedicated his five Preludes, composed in 1940, to Arminda Neves dÁlmeida, his companion for the last 23 years of his life.
Irene Gomez is a pioneer of the classical guitar in her homeland, Colombia. Here she plays the lyrical Prelude No. 1 in E minor.
This a beautiful but difficult piece originally written by Stanley Meyers for the piano but transcribed and expanded for guitar at the request of John Williams. Meyers wrote it for the film The Walking Stick in 1970, but it only became well known eight years later when it was used as the theme for The Deer Hunter.
John Williams was the first to perform Cavatina on the classical guitar. He recalls that when Andres Segovia heard him playing it he remarked that it was ‘a very pretty tune’. The word ‘cavatina’ is an Italian musical term meaning ‘a short song of simple character’, but the piece is anything but simple to play.
Here one of my favourite guitarists, Per-Olov Kindgren, plays Cavatina
If you let the clip play on you will discover a beautiful bonus, John Williams playing Julia Florida by Barrios.
In 1826 Shubert wrote this song as part of the Schwanengesang collection. These tunes turned out to be his last works and that is why the publisher called them ‘Swan song’ (Schwanengesang). J.K Mertz (1806 – 1856) transposed the Serenade for the guitar and ever since then it has been a favourite among guitar virtuosos. Here is Marcin Dylla’s beautiful rendition: