The castle of Torija is in the Guadalajara province, located just off the road between Madrid and Barcelona. Torroba (1891-1982) also composed operas, but he is best remembered for his works written for the classical guitar.
Per-Olov Kindren plays with his usaul style and sensitivity.
This site lists over 4,600 pieces in .pdf format. There is no real difficulty grading system but it does list 1,173 pieces as ‘easy’. Some of the pieces have a difficulty indicator when you click on the actual selection; for instance, Tarrega’s Lagrima is marked ‘Grade 4 Late Intermediate’.
The Petrucci Music Library contains a huge database of public domain music for all instruments. It is not easy to browse this collection, but the search facilities are adequate if you are looking for a composer or a particular piece. For instance, a search for ‘Tarrega’ yields 51 pieces and a search for ‘Largrima’ yields no less than 7 available transcriptions. Unfortunately, there are no indications of playing difficulty. However, you could use www.guitarburst.com in conjunction with this site for most free guitar scores.
This site has over 600 scores, with basic difficulty level indicators, and an online synthesised audio/visual playback facility. However, it only allows a few views/downloads per every 24 hours unless you take out a paid subscription to the site.
A reasonably good range of free music scores as well as methods and collections, but this is the site of the Guitar School of Iceland and so the commercial sections contain a lot more material that you will have to pay for.
This site is more than just a forum and contains sections of graded classical guitar music. The drawback is that you have to become an active member of the forum in order to access most of these collections. In addition, the choice of music tends more towards the Baroque than anything else.
I hope this is useful to you – have fun and enjoy learning new stuff.
I love the look of well made classical guitars. Here are three beautiful guitars worth show-casing.
‘Black Diamond’ by Rafał Turkowiak
Design features include: • Acoustic Tubes – special ‘holes’ placed in the neck that increase resonance and reduce neck mass. • WAVE type resonator – increases vibration through the soundboard; reduced bridge mass.
Top – Western Red Cedar
Back and Sides – Black and White Ebony
Neck – Flame Maple
Fretboard – Ebony
Head – Crafted with natural black diamonds and authentic Mother of Pearl
Bridge – Black and White Ebony with Mother of Pearl
Armrest – Bevelled
Tuners – Ebony, Aluminium, White Mother of Pearl with an 18:1 ratio
Fret markers – Mother of Pearl
Varnish – French polish
‘No. 22’ by Zebulon Turrentine
Top – Western Red Cedar
Back and Sides – African Mahogany
Fretboard – West African Ebony
Bridge – African Padauk
Bracing – Asymmetric lattice
French polish with shellac
Scale length – 650mm
Jumbo Gold EVO frets
Der Jung tuners
Grand Concert by Robert & Orville Milburn
Materials: Rare African blackwood sides and back, close straight grain European spruce soundboard with extensive cross grain silk, rare snakewood bindings, African Blackwood head veneers, black/white/black hairline purling, mammoth ivory saddle and bridge tie block decoration, perfectly executed side grain mosaic rosette, Rodgers tuning machine heads, impeccable French polish of finish.
Adelita is one of Tarrega’s most well-known compositions and is played by amateurs and professionals alike. Apparently, Tárrega named the piece Adelita because he dedicated the piece to the illegitimate daughter King Alfonso XII, Adela Aimerich.
Here Per-OLov Kindgren plays the piece, which I have graded as Level 6 (Higher exit).
This is a Level/Grade 5 (Intermediate) piece composed by Vivaldi for the violin and transposed for the guitar. Antonio Lucio Vivaldi was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he was as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe.
The piece is played by Steven Law, a member of a new breed of musical star who connect with fans directly through the Internet. His hundreds of guitar videos often feature tunes from modern pop songs and anime, and have been freely shared millions of times by grateful fans all over the world.
In my scheme of things, this is a Level/Grade 4 (Lower exit) piece.
Andrew York ‘is one of today’s best loved composers for classical guitar and a performer of international stature. His compositions blend the styles of ancient eras with modern musical directions, creating music that is at once vital, multi-levelled and accessible.’ Taken from www.andrewyork.net
Brian Farrell is largely self-taught, however he initially took lessons with the late Barry Lawlor who was one of Ireland’s finest guitar teachers and Barry’s teaching had a profound impact on Brian’s career.
I have placed this haunting little piece at Grade 4 (Lower Exit) in my system, and Guitaburst have assigned it to Level 8 . It is an advanced beginner or entrance intermediate piece. Here it is played by Tatyana Ryzhkova
I usually post virtuosa performances of professional concert level pieces to provide us all with inspiration, pleasure and something to aspire to. However, for the next few posts, I want to deviate from this and post performances, and lessons where available, of beautiful pieces that the average amateur guitarist can manage.
I have already featured a professional performance of the Tarrega’s lovely tune ‘Lagrima’ in the intermediate section of this site, but I neglected to include an actual lesson. So here is Simon Powis giving an excellent lesson on how to play this haunting little piece. I have also now included this in the Intermediate Music section.
The score I use is transcribed by Bradford Werner and you can find it HERE.
Lagrima is graded either as Advanced Beginner or Intermediate yet it is often performed by top-class players as part of their extended repertoire.