I thought I would include you in a part of my musical journey. One of the pieces I love to play is Nocturne No 2 Op 4 by the 19th-century composer, teacher, and virtuoso J.K Mertz.
The piece is written for lower intermediate players (what I have classified as Advanced Transitional) and is usually deemed too simple for concert performers to include in their programmes. However, it may be simple to read and to play badly, but it is far from simple to play cleanly and melodically.
Here is a recording I downloaded from the internet by a Cristobal Selame that sounds more or less how I play it.
Born in 1975 (Belgium), Jan Depreter is considered as one of the most remarkable guitar players of our time. Discovering music at the age of 5, he had to wait 3 more years for Santa Claus to introduce him to his first guitar; an encounter which would result in a lifelong passion for the instrument. Three times Jan graduated Summa Cum Laude for guitar, from the Lemmens Instituut of Leuven and the Royal Conservatories of Antwerp (BE) and The Hague (NL), where he studied with Zoran Dukic. He perfected his art with David Russell and Manuel Barrueco. (Taken from his website http://jandepreter.com)
I came across this article in the March 11th GSI Blog and I think it is worth sharing on Classical Guitar SA. The article is titled GUITAR – A SMALL ORCHESTRA OR A GRAND PIANO? and in it, Marcelo traces the development of classical guitar music from the end of the 18th century up to the present time. Click HERE for the article
And here is an example of Marcelo performing pieces from the Suite in F Major SW 33 by Sylvius Leopold Weiss where he demonstrates a number of the points he makes in his article.
Villa-Lobos is one of the most important composers for classical guitar. His music combines Brazilian folk music with contemporary classical. Chôro No. 1, one of his most famous pieces, is a beautiful merging these two styles.
David Russell is one of the great players of the present age.
My apologies to experienced players, but I wrote this article for those just starting out as players or interested non-players.
In this article, I deal briefly with a range of aspects of guitar construction, playability, intonation, humidity, strings and so on. I have only built one classical guitar, but I am a passionate enthusiast and I have researched and experimented quite a bit.
In this, the 3rd and final post in the series, I am featuring 10 incredible players 35 years old or younger I have ordered them from youngest to oldest to maximise the impact. What wonderful talent in such young people!
Linda Bernert (10) plays Tango en skaï by Roland Dyens
Nina Bernert (12 now 14) plays Phantasia D major by David Kellner
Leonora Spangenberger (13 now 15 years old) plays 12 Etudes by Heitor Villa Lobos: Etude No 1
Julia Lange (19) plays Asturias by Isaac Albeniz
Stephanie Jones (24 years old) plays Recuerdos de la Alhambra by F. Tárrega
Anna Likhacheva (25 years old) plays Russian folk song “Ivushka”
Gabriel Bianco (29 years old) plays Variations on Venice Carnival
Su Meng (30 years old) plays Bach Prelude, Allegro – Presto
Kyuhee Park (33 years old) plays El Ultimo Tremelo by Augustin Barrios Mangore
Milos Karadaglic (35 years old) plays’Oriental’ by Enrique Granados
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As promised, here is a list of 10 top Generation-X classical guitarists aged between 40 and 55.
I have avoided using the word ‘best’ when referring to this list because of how different folk understand this ascription. Some comments to previous posts are; “there is no ‘best’, just opinions”, and “the best players are those who embrace the ‘new’ compositions”, and “No way! Eliot Fisk is the best because of his innovation and energy”. I guess we could have a shot at determining who the best players are by adopting a comprehensive set of criteria and an impartial assessment methodology, but what’s the point? Certainly, my reason for compiling these lists is to provide reference points, learning opportunities, and listening pleasure.
In the 3rd and final post in this series, I intend to feature another 10 fabulous players 35 years old and under.
My last post featured John Williams, and although many commented favourably, there were one or two critical of John’s virtuosity. When I searched the threads in the Delcamp forum, I soon realised that there are as many opinions on the ‘best’ living classical guitarist as there are on what constitutes ‘best’.
The criteria for judging ‘best’ appear to fall into four categories: musicality, technique, tone production, and emotional impact. However, what interested me more was the sheer number of CG players listed among the top three picks… 38 in total!
So, I have compiled a list of just the top 10 candidates. I have done this as a basis for further research, learning, and listening pleasure. I have arranged the list based on the number of different people identifying them as part of the top three living players. Of course, the list is not meant as any sort of definitive ranking, but rather as an inspiration for run-of-the-mill classical guitarists like me. Along with each name are links to their websites and a video of them playing.
Of the 10 maestros listed, seven are over 60 years of age, and so the fear for many is that the era of classical guitar greats is passing. Not so! In my next post, I intend to highlight 10 great players between 40 and 55 years old. Then in a 3rd post I intend to feature another 10 fabulous players 35 years old and under. The future of the classical guitar looks bright to me!